Every stage of look development, in order, in one place.

Bestiaire Grade follows the internal logic of a grading session, from color management to grain, so each control lands exactly where a colorist expects it.

Before

After

Color Management

Camera log input (ARRI LogC3, Sony S-Log3, Panasonic V-Log, DaVinci Wide Gamut) with selectable output and display tone mapping. Your pipeline, handled at the door.

Before

After

Primaries + Dynamics

Exposure, pivoted contrast, and a saturation-preserving filmic gamma. Chroma contrast and highlight/shadow recovery measured in film stops: two contrasts you can play against each other.

Before

After

Film Look

Seven film stocks as a base, film density with an RGB mix, color boost, bleach bypass and burn. Photochemical behavior, dialed in by amount, not baked in by a LUT.

Before

After

Color Tone

Independent tinting for shadows, midtones and highlights, each with its own hue and amount. Split-tone with precision instead of fighting a color wheel.

Before

After

W X Y Z Axes

Directional color contrast along four axes (green/magenta, cyan/red, blue/yellow, red/cyan), each with its own curve. Separation the vectorscope can see.

Before

After

Individual Colors

The six vectorscope colors (red, yellow, green, cyan, blue, magenta), each with hue, saturation and luminance. Negative luminance gives you targeted density.

Before

After

Skin + Foliage

Skin radiant, pop and even: no qualifiers, no masks, no tracking. A season control for vegetation: pull it negative and summer turns to autumn.

Before

After

Film Modes

Black & white, orthochromatic, and two-strip Technicolor, with a mode mix to blend each process into your grade at any strength.

Before

After

Texture

Halation with size and threshold, Pro-Mist style diffusion, procedural film grain and a detail control. The optical layer, computed rather than overlaid.

Before

After

Output

Smart slider links for temperature and chroma at the output stage, plus a global mix to dose the entire grade against the source. Ship with confidence.

One node. Everything.

A typical look development chain spreads across eight or more nodes: color space transforms, contrast, film emulation, split-toning, texture, grain, each one a separate tool with its own logic.

Bestiaire Grade puts the entire chain in a single node, in the correct internal order, processed in one multithreaded pass. Build the look once, save it as a shared node, and carry it across a whole campaign.

Choose your term.

Every plan includes the full plugin: all ten modules, all future updates during your term.

Monthly

^$129

per month

Full plugin, all modules
Updates included
Cancel anytime

Start monthly

Save $1,249

Annual

^$25/mo

billed $299 per year

Full plugin, all modules
Updates included
Save $1,249 vs monthly

Start annual

Lifetime

^$799

one-time payment

Full plugin, all modules
All future updates, forever
Yours for good

Buy lifetime

7-day money-back guarantee, no questions asked.

Questions, answered.

Which cameras and color spaces are supported?

Bestiaire Grade accepts ARRI LogC3, Sony S-Log3, Panasonic V-Log, DaVinci Wide Gamut / Intermediate, Rec.709 and Linear at the input stage, with a selectable output transform. If your camera records to one of these, or your pipeline conforms to DWG, you're covered.

How is this different from a LUT pack?

A LUT is a fixed table: one look, one exposure, no parameters. Bestiaire Grade computes everything live (film stocks, density, halation, grain), so every control stays adjustable per shot, holds up under exposure changes, and never clips or posterizes the way baked LUTs can. You can still export a LUT from your settings when a delivery requires one.

How do updates work?

Updates ship as new installer builds and are included with every active plan, and permanently with Lifetime. Your grades stay compatible: existing projects keep rendering identically until you choose to update a node.

What if it's not for me?

Every plan comes with a 7-day money-back guarantee. Write to us within seven days of purchase and we refund you in full, no questions asked.

How many workstations can I use it on?

One license covers two machines for a single colorist: a grading suite and a laptop, for example. Studios running multiple seats can write to us for a multi-seat license.

Every stage of look development, in order, in one place.

Color Management

Primaries + Dynamics

Film Look

Color Tone

W X Y Z Axes

Individual Colors

Skin + Foliage

Film Modes

Texture

Output

One node. Everything.

Choose your term.

Questions, answered.

Grade the way film behaves.